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In a grainy 1840 photograph, a partially-covered corpse is propped against a wall, its decay evident in the darkening skin of the face and hands. The body is that of Hippolyte Bayard, an early inventor of photographic processes and supposed drowning victim, and written on the image verso is a strange note: (more…)

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An update from our friends at The New Hampshire Institute of Art (NHIA)

Last summer, The New Hampshire Institute of Art’s John Teti Rare Photography Book and Print Collection received a second major gift from collector and philanthropist John Teti. This gift contained original photographic prints of many leading 20th-century photographers, including Harry Callahan, Paul Caponigro, Imogen Cunningham, Lee Friedlander, Andre Kertesz, Man Ray, Minor White, and more. These works are now being added via JSTOR Forum to the NHIA Photograph Collection, which is available as a Public Collection on Artstor. The collection has now grown to nearly 600 images. (more…)

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Edmund V. Gillon, photographer. Looking south on South Street to the Manhattan and Brooklyn Bridges and the Lower Manhattan skyline, c. 1977. Image and data provided by Museum of the City of New York.

Edmund V. Gillon, photographer. Looking south on South Street to the Manhattan and Brooklyn Bridges and the Lower Manhattan skyline, c. 1977. Image and data provided by Museum of the City of New York.

The Museum of the City of New York has contributed approximately 17,300 additional images from its permanent collection to the Artstor Digital Library, bringing their total to more than 71,000.* (more…)

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William Davis Hassler. Mr. Sowerby on his horse on the Speedway near High Bridge, New York City, undated (ca. 1905-1911). Washington Bridge visible.|William D. Hassler photograph collection, approximately 1910-1921. William Davis Hassler. Image and data from New-York Historical Society: Museum & Library.

William Davis Hassler. Mr. Sowerby on his horse on the Speedway near High Bridge, New York City, undated (ca. 1905-1911). Washington Bridge visible.|William D. Hassler photograph collection, approximately 1910-1921. William Davis Hassler. Image and data from New-York Historical Society: Museum & Library.

The New-York Historical Society (New-York Historical) is contributing more than 21,000 images from its museum and library collections to the Artstor Digital Library. The selection encompasses many aspects of the combined resources of the New-York Historical, including highlights across the diverse collecting areas—American paintings, sculpture, prints and drawings, decorative arts and artifacts, and historical photographs. (more…)

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Minor White. Golden Gate Bridge, San Francisco. August 24, 1951. Gelatin silver print. The Minor White Archive, Princeton University Art Museum, bequest of Minor White. © Trustees of Princeton University

The Princeton University Art Museum has contributed approximately 5,850 images by the seminal American modernist photographer Minor White to the Artstor Digital Library. This contribution represents a substantial selection from the Minor White Archive which first went to Princeton as a gift of the artist in 1976. (more…)

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Abdullah Frères. Cimitiere Turca, Sculari, Istanbul. 19th century. Ackland Art Museum, University of North Carolina at Chapel Hill

Did you know that nearly 20% of Artstor’s more than 2 million images are photographs? This summer we released a new collection of over 36,000 images from The Center for Creative Photography and we added 47,000 new images to existing collections from Magnum Photos, Panos Pictures, and Condé Nast, bringing our photography holdings to more than 350,000. These additions join major collections such as George Eastman House (the world’s oldest photography museum), Eyes of the Nation: a Visual History of the United States (Library of Congress), the Museum of the City of New York, and fine art photography from the Larry Qualls collection of contemporary art, among others. Photography collections in Artstor span many types, including photojournalism, art photography, social documentary works, carte de visites, stereographs, fashion photography, and even vernacular photography. In aggregate, these diverse collections can provide visual histories of people, events, cultures, and countries between the advent of photography in 1839 and the present day. (more…)

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Robert Capa. Normandy; Operation Overlord; German soldiers captured by American forces. 1944. ©ROBERT CAPA © 2001 By Cornell Capa / Magnum Photos

Robert Capa. Normandy; Operation Overlord; German soldiers captured by American forces. 1944. ©ROBERT CAPA © 2001 By Cornell Capa / Magnum Photos

The more than 350,000 photographs in the Artstor Digital Library are not only there for the study of art—they also tell stories of our past. One of the best examples is that of Robert Capa’s breathtaking photographs of Omaha Beach on D-day in German-occupied France on June 6, 1944.

That day Western Allied forces landed on the beaches of Normandy in France and began the effort to liberate Europe from Nazi Germany. The invasion was originally planned for May 1stbut was delayed due to bad weather. Finally, on June 6th, 156,000 Allied troops stormed the beaches – losing between 2,400 and 4,000 lives – and Robert Capa was there to capture it on camera.

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